I love taking custom work, because I get great ideas from customers and I don't mind letting clients do my thinking for me. This year my custom work has included a cake topper, a set of plates shaped like butterfly wings, and extra large bird pitchers, which turned out so cute I will probably get a mold made and put them into production.
Last summer I agreed to create a 16"x 20" tile backsplash for a long-time client in their newly-renovated kitchen. I felt some reluctance because I have made single tiles exactly 6 times, and making a cohesive panel of tiles sounded like a pain in the ass. But I couldn't come up with a reason to say "no" other than I like my ass pain free, which is not really a good reason when it comes to making stuff.
Turns out the hardest part was just making the tiles. Making hand-cut tiles that are perfectly square and all the same size is freaking impossible. After working over each tile one-by-one I got them to pretty much all fit in together:
I stored the tiles between sheets of drywall so they could hopefully learn to stay flat and get to the leather-hard stage. Starting last Monday, I spent a couple of hours every morning while it was still nice and cool in the studio, working on the design. It's been relentlessly warm and beautiful here in Oakland, and part of the trick is making sure the tiles don't dry too quickly. By Friday I had this:
Then I applied some underglaze:
The great thing about custom work is that I always learn something new. I've been making this style of relief-pattern work for years, but I learned a new way to do the flower petals that gives them much more depth and texture. Now, the tiles are tucked away on a shelf where air can pass beneath and between the tiles, drying ever so slowly, with no warping-- I hope!