This is what my Tuesday morning looked like this week:
- get up and run to the studio at 8 am to unload the kiln and see what survived.
- run home, make ship tags for survivors, write "thank you" notes to customers (on this day, that was 9 notes) finish up editing my monthly newsletter and send to 1,000 people, and list a few things on Etsy. Oh, and answer about 8 emails.
- run back to the studio by 10 to meet with my assistant, Ruth. Ruth starts bubbling orders while I match the tags with the items. We can't box them because I'm totally out of boxes and we're waiting for a delivery from Uline.
- Right when Ruth finishes at 11, Uline arrives with boxes. Ruth moves on to glazing while I put away boxes and then box orders.
- Finish at 11:30, pull dogwood flowers from the mold and clean those for 30 minutes.
- At noon, wedge up some clay and thrown for an hour.
- At 1, the high school intern arrives. Spend 20 minutes with her getting her task lined up and organized. Then, I leave for lunch.
I've been not doing so well mentally for the past couple of months, and I'm just now starting to grasp that it's connected to the problem of broken concentration. This kind of short task mode is great for pumping out production, which is what I've been stuck doing because I've been shorthanded, but not great for making new work, or art. And that's the stuff that keeps me happy and jazzed about pottery. I've just hired another set of hands to help with production, and I'm really hoping that with her help, I will be back on the path to mental stability. Soon. I would like to know what you all do to give yourselves that long, luxurious period of focused attention to your work, especially when you have things like kids, assistants, or another job.